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The Spellshop features Kiela as the protagonist. She has blue skin, blue hair and magenta freckles. Kiela works as a librarian in the Great Library of
Alyssium along with her trusty sidekick, a sentient spider-plant named Caz. (Caz bothered me. I know Caz was created magically, but being a plant he has no eyes, ears, mouth, muscles or bones, yet somehow
he moves and communicates like any human. So how can he do any of this stuff? Magic. That's not a well plotted answer.).
The emperor has declared that magic and spells shall only be used for the rich and the powerful in the capital, it is forbidden for the provinces to use magic. Where sorcerers
once roamed the empire, casting spells to improve the lives of the empire's citizens, now the sages have all been recalled to the capital and any magic use is illegal. The reader is told that the emperor does
this out of greed, but it makes no sense. It is not as if casting a spell in a province to improve the yield of an orchard somehow makes in the emperor poorer. Indeed, having more wealthy, successful citizens would
presumably allow the emperor to raise more money through taxes. I felt Durst did not think this through.
Angered by the emperor's rules, revolutionaries storm the capital, and the Great Library of Alyssium is set a blaze. Kiela and Caz manage to escape with five crates of spellbooks. Kiela sails to the island
of Caltrey, where she grew up until the age of nine (at which point her parents - now both deceased - uprooted and went to the capital). Kiela returns to her childhood cabin, which is remarkably good shape despite decades
of neglect. She decides that she will support herself by selling jam and secretly casting magic spells to make Caltrey a better place. It bothered me that no matter what magic spell Kiela wants to cast, it is found in one
of the books stored in her five crates of salvaged books. It made me wonder what was in the rest of the Great Library if the sum of all spell knowledge seemed to be in the relatively few books Kiela took with her.
While learning to cast spells, Kiela accidentally creates a sentient cactus called Meep. I didn't like Caz, and Meep was ten times worse. Durst turns up the cuteness factor on
Meep to eleven; the reader is meant to find them adorable. I found Meep (who can only say "Meep") to be most annoying.
It felt like Durst wrote The Spellshop determined to not have any antagonists. Everyone in the island of Caltrey is so welcoming and understanding of Kiela and Caz.
Other than grumpy old Fenerer, who merely spouts off a few suspicious accusations at Kiela, there seems to be no villains in this book. Maybe cozy fantasy are not allowed to have villains?
I see that there is a sequel called The Enchanted Greenhouse, but I think I shall skip it. These cozy fantasies are too cloying for my tastes. Maybe when Durst returns to write adult novels, I will resume reading her books,
but for now I will look elsewhere for reading entertainment.
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