Title:

The Sand Sea

Author:

Michael McClellan

Category:

Fantasy / Science Fiction

Rating:

Date Reviewed:

January 10, 2026

was excited to read The Sand Sea, despite its intimidating length (733 pages in the hefty hardback edition - it is truly a doorstopper). The reviews compared it to the works of Tolkien and George R.R. Martin, with a dash of Raiders of the Lost Ark thrown in. That sounded great to me! How did I miss the fact that, despite its enormous length, that The Sand Sea is not a complete tale? Maybe that's what the comparision to A Game of Thrones meant - the story doesn't end, and even though The Sand Sea has a copyright date of 2019, there is no sign of a subsequent volume, even though I am writing this review seven years after the publication of volume 1. Not that I would read the next book, this first novel in the series was a huge disappointment.

If McClellan does anything right in The Sand Sea, it is world building. In the vein of Guy Gavriel Kay, McClellan imagines an alternate universe that is similar to our own, but with some key differences, plus a touch magic. In McClellan's world, it is roughly the nineteenth century, at the dawn of the Industrial Revolution. Railroads and steamboats exist. The Anglians (the British) live on islands just off the coast of the Old World and are the major colonial power in the world. The New Anglians (Americans) have just completed a transcontinental railroad across their western continent. The Gressians (Russians) are a despotic empire ruled by a corrupt king (tsar).

There are four protagonists in this sprawling novel: Peter Harmon, an Anglian bookish university student; Hannah, a New Anglian beautiful blond tomboy who rides her horse, is a crack shot with a rifle, and somehow is still unmarried even though she is already in her early twenties; Jack Campbell, also a New Anglian - the son of a wealthy railroad baron, he is a drunk and a womanizer, Jack is devoid of redeeming characteristics; and Selena Savanar - a young orphan growing up on the streets of the city, trying to eke out a living by selling baskets. Selena has no idea that she is actually a princess and a key figure in an 800 year old prophecy. A major problem is that none of these characters actual DO much of anything in the novel - at least, not until page 700 or so when Peter and Selena finally display some agency of their own. There are dozens of other characters in the novel, and I got confused by them all. Another warrior tribesman would make an appearance, and I would wonder - have I read about this fellow before? I don't remember him?

There are many, many characters in this book, not just the four primary protagonists of Jack, Hannah, Peter and Selena. I could not keep straight all the different actors. Chapters will describe the deeds of one group of characters, and then the story jumps to the actions of a different group, and then another shift to still other set of persons. There is a long, climatic battle near the end of the book, where the fate of many characters is spelled out - each chapter detailed a fighter's engagement, I kept wondering - "Do I know this guy? Or is this someone introduced here, only to fall tragically - but heroically - in battle?"

Unfortunately, the villains are all cartoonishly evil. The diabolical Grand Vizier, Jemojeen, goes out of his way to be cruel, greedy, wicked. The evil Gesserian count tortures his own troops. There is no nuance, the bad guys are devoid of any good qualities.

I have major problems with the plot. Some of those plot faults are detailed in the spoiler section below. I think McClellan would have been better served to have an editor explain to him that his novel needed some major trimming and plot revisions. There is simply too much unnecessary characters and story arcs. This apparently McClellan's first novel, and it shows. I do not recommend this book.