n a Garden Burning Gold is the first book in the Argyrosi duology. In my opinion, it really puts the ARGGHHH into Argyrosi. I did not like this
book at all. I had high hopes for it, after reading a positive review in Bookpage, but I was greatly disappointed.
The further I got into the story, the easier it was to set the book aside and the harder it became to pick up and resume reading. Finally, with about 50 pages to go, I could not
bring myself to read any further, and so for 2 months it sat untouched on my nightstand while I read books that had much better stories to tell. Finally, when I had exhausted any further
library renewals, I trudged through the final painful fifty pages and completed the arduous read. I am astonished to learn that Rory Power is a NY Times best selling author; In a Garden
Burning Gold struck me as a debut novel by an eager amateur writer still learning about plotting. I will not read the second half of this duology, nor any other future works by Power.
The novel begins with Rhea riding home in a carriage. She is in trouble, because it took her too long to murder her husband. The reader quickly learns that Rhea takes on the
aspect of Thyspira, the goddess of seasons. Four times a year, Rhea must marry a consort and then kill that person so that the current season can end and the next season can begin. The reader also learns that
although Rhea appears to be in her twenties, her god-like powers have gifted her with a long lifespan, and that she is in fact more like a hundred years old. Hmmm, so she has been killing four
spouses a year for more than 80 years? The blood of 320 people is upon her hands!
Rhea's father, referred to as Baba, is the Stratagiozi (the ruler) of the land of Thyzakos. Baba has magical powers of his own, he can kill people by saying their name in a magical chant.
Baba is portrayed is a heartless and cruel father who bullies his four children (Rhea's mother died years ago). Baba is upset that Rhea extended autumn by a few extra weeks because she did not kill her husband on schedule. When Rhea
arrives at the home manor, she must placate Baba's temper (all of the scenes with Baba interacting with his four children show the reader what a horrible, verbally-abusive father he is). Now it is time for a
ceremony in which representatives from the provinces send a potential mate to be selected as Rhea's spouse for the winter season. There are only five people who show up to be chosen, though it is a "high honor" to be
selected to be married to the goddess Thyspira. (The logistics of this bothered me a lot. Given that Rhea has to kill four people every year, there would have to be at least 80 provinces for any steward's offspring to live long enough
to not be murdered by Rhea.) Baba wants Rhea to select Tavoulos as her mate, but Rhea's twin brother, Alexandros, wants her to select Michali Laskaris of the Ksigoran province, because Alexandros' spying has
convinced him that the Ksigorans are rebellious and pose a threat to the family.
Rhea loves her twin brother Alexandros, and so she selects Michali, in defiance of her father's wishes. She can infiltrate the Ksigorans and learn their plans, and of course Michali will die at the
end of winter. Alexandros also has magical powers, he can go up into his tower and raise and lower the tides. Alexandros also causes the stars to appear in the sky. I wondered - so what happens if Alexandros takes a day off to travel to
a conference of conspirators - are there no tides on that day? The stars will not appear? Normally, there are two high tides and two low tides a day - Alexandros has been directing these tides for a hundred years? It must
be a tedious existence! Unlike Rhea with Thyspira, Alexandros does not have an aspect of a god
You probably have noticed that all of the names appear to be Greek. But why? They don't worship the Greek gods, they don't have Greek culture, they don't live
on Greek islands. This isn't an alternate world fantasy, like the stories that Guy Gavriel Kay writes so well. Power has created her own fantasy world, and yet for some reason she decided that the inhabitants should speak Greek. This
inexplicable choice distracted me more than it should have; I kept wondering if there was some kind of parallel universe crossover that allowed the Greeks to influence this world (there is no crossover).
Good fantasy worlds often have a map, but In a Garden Burning Gold does not have one. A map might have helped me understand the confusing politics. There is a cast of characters to aid the reader trying
to keep track of the many people in this book.
The rest of this review discusses what I felt were bad plot points, so I will include them in a spoiler section. Power seems careless in her fantasy world creation; much of the story made no sense to me,
it seemed that Power just threw stuff together to advance her storyline without thinking things through. Because of this disappointing plotting, I have no interest in reading the resolution of this story and will avoid all future works by her.
*** Warning - Spoilers below ***
Rhea and Michali ride back to Ksigora to officially marry. They are accompanied by a group of Michali's guards. As they ride across a river, a flight of arrows attacks the party from ambush, slaying one of the guards. Michali makes a remark that it was
"just one volley of arrows". It is clear that Michali planned this attack - but why? This is never explained. Why plan an ambush on his own party? It is not like he expected to return to Ksigora accompanied by Rhea, everyone expected she would
select Tavoulos for her winter spouse. This river attack is forgotten immediately, the book never explains it. I found it inexplicable and puzzling.
Rhea discovers that her mother was a saint, and thus she lived for a thousand years. Yet no one noticed? She lived all those years but it didn't occur to anyone to notice that she wasn't aging?
Michali takes Rhea to the camps in Ksigora, she sees half-starved people wearing rags and living in squalor. Rhea gets angry seeing the plight of the these desperate souls, she thinks: "This is Baba's fault,
my father is responsible for this." Yet Baba completely ignores Ksigora. Baba has no military, there are no troops oppressing the people driving them into these camps. There are no tax collectors demanding onerous payments. There are no
religious leaders persecuting them. In fact, Baba has no presence in Ksigora at all - so why have these people fled to camps when there is no one driving them from their homes? It is if Power thinks: "refugees will automatically generate sympathy for the
Ksigora cause", but Power doesn't bother to create any backstory that explains why they are refugees in the first place.
Rhea has never been to Ksigora previously? She has had 300+ spouses and yet never picked someone from Ksigora?
Rhea sees the plight of the Ksigorans and decides the only solution is to let a band of marauders invade Baba's manor and kill her father. How this will change the circumstances in Ksigora is not explained.
Michali and Rhea scheme to fake his death, and then she can return to the big house and let Michali and a team of assassins into to murder her father. But faking Michali's death won't work - everyone would see
that winter never ends as long as he is alive. Michali must die or winter will never end.
If you are sleeping next to someone, and their throat gets cut, wouldn't the thrashing of their death throes and spurting of their blood wake you up? Apparently Rhea can sleep right through it.
Alexandros travels to the wealthy kingdom of Trefazio. The Stratagiozi of that kingdom. Tarro Domina, has so many children that they can murder each other, and no one blinks an eye. Indeed, at a dinner feast that Alexandros
attends, one child simply slits the throat of her brother. After the blood stops fountaining, everyone simply proceeds with the dessert course. I found this scene utterly unbelievable and cannot fathom any form of humanity functioning like that, no matter
how many children someone has.
It seems as if Thyzakos has no government at all. The big house where Baba and his children live is seemingly deserted, with just a few servants, a couple of cooks and perhaps a guard or two. There are no courtiers. No
nobles, no bookkeepers, advisors, parliamentarians, handmaidens - no one. Baba receives petitions from the country, which apparently he does not read and simply ignores. There is no sign at all of a functioning bureaucracy. Rhea remarks several times how
barren her home is, lacking in displays of wealth or power. It seems as if Baba exists merely to be cruel to his children, he has no other purpose.
The whole business with the tides protecting their home made no sense. If the tide is high, the boats can land on the beach, but if it is low tide, the waves make it too perilous for intruders to attack the family manor?
There are two high and two low tides per day. Surely evil assassins could have landed a party any day they desired. Yet Rhea decides one night that she must convince Alexandros to cause a high tide so that assassins can land and kill her father.
When she can't find Alexandros in his tower, she simply causes the high tide herself! The magic powers are transferable??
Why should the assassins bother with the tides at all? Simply have Rhea open the front gate and let them in. It's not like Baba is heavily protected by guards and a castle.
Rhea causes the tide to rise, she wants to allow Piros Zografi and his band of assassins to land and attack her father. Instead, the plot is betrayed and an entire fleet of the enemy lands to capture the kingdom of Thyzakos. Rhea
must flee. Piros is waiting at the south gate with a pair of horses to allow her to escape - but what is he doing there with horses? Piros is supposed to be on a ship with a band of assassins waiting for high tide and preparing to kill Baba.
The book ends with Michali returning from the dead, which is like the cherry-on-top of bad plot devices. ARRGHHHH indeed.